The inverse law of usenet bandwidth that Beth described (the less of a life you have, the more you blog, and vice versa) can definitely be applied to exam time. I don’t want to study, but somehow I’m getting myself to sit down and read through stuff, even though I want to go and play baseball or go for a bike ride or buy some ice cream. However, I think I’ve reached saturation point for my brain, so I’m going to blog some more.
I’ve thought about this post for a while. Some people at Campus for Christ call me “Singer”. It’s a nickname that sprung out of my first few street hockey games in first year when Graydon forgot my name. But it seems to have stuck, and thankfully it’s fitting. Heck, I even bought a domain name that makes a pun out of my nickname.
For sure, singing is one of my biggest passions. It’s probably my most honest way of releasing my emotion. I’ve never taken singing lessons, but I have been in a children’s choir as a youngster, the high school choir, and numerous worship bands. I would have to say that Calgary and Guelph have been the first places I’ve actually led worship to a group of people. And singing songs that I make up on the spot to people is also a blast.
So what I want to tell you about are the singers who have influenced my singing. I’ve listened to many great singers (usually on CD, rarely lucky enough to see them live) and here are the main ones that I have taken cues from and emulated.
Martin Smith of delirious? is probably my biggest influence. I have almost all of their albums, and gone to a concert. Martin has perfected his falsetto to the point that it’s indistinguishable from his normal voice. He commonly (and easily) sings a song at one octave, and then belts it out another octave higher when he’s really into it. And one more thing: when they compose songs, they frequently write them so it’s in Martin’s perfect vocal range, so that at concerts, it’s a real challenge and pleasure to try to sing along.
Michael W. Smith is one of the greatest worship leaders, in my opinion. He sings songs in a very dynamic and influential way. He leads when he sings, and he makes it totally about God when he sings. Michael is probably my role model when I am looking at ways to lead while playing piano, because he doesn’t do anything fancy, but it sounds amazing.
Tim Hughes and Matt Redman are both examples of singers who know how to lead worship without saying a single word to the crowd. I’ve been to conferences where they’ve lead worship, and they just sing their songs, and let God speak to people’s hearts through the words in the music. I find that my vocal range is closest to these two guys, and the songs they write are absolutely honest and raw. Still, they are willing to re-play their songs in fresh ways so the songs aren’t “overplayed”.
Chris Tomlin sings high. Really high. But he’s humble enough that when he places his capo accidentally too high in concert, he states “I can’t sing that high!” It’s awesome though, when on CD, Chris will play a song in capo 4, and then perform it live in capo 2, and then when I play it, it needs to be in open tuning in order for most people to sing. That shows where Chris’ normal vocal range lies.
Chris Martin of Coldplay really influences me in terms of my singing because his music forces me to train my falsetto a lot more. When I throw on the Coldplay, I’m usually singing along, and it takes a lot of vocal control to hold the chorus in “Clocks” and hit the high notes in “Fix You”.
John Mayer, Jack Johnson, Downhere, Switchfoot, Relient K, Maroon5, and dc Talk are other artists whose lead singers I’ve been affected by in many ways in the contemporary singing sense. Other singers like Josh Groban, Michael Buble, and Andrea Bocelli I’ll give an occasional listen to work in some more classical/refined singing influence, and then there’s stuff like Metallica and POD that I admire a lot as well.
There’s something about singing a song as high as your voice can go, as if you’re using your voice to the best of the ability God has given you. I would much rather have the speech part of my voice to be taken out over the singing part of my voice.